Luis Egidio Meléndez’s La Merienda (1771c.)

Luis Egidio Meléndez’s La Merienda (1771c.)

Meléndez was a painter of food, perhaps obsessively so. La Merienda or The Afternoon Meal is among his many still life works there is food ready to be eaten but without any people about to do so. In this instance, it’s a picnic without picnickers though someone...
Samuel Foote The Nabob (1772)

Samuel Foote The Nabob (1772)

Samuel Foote’s comedyThe Nabob, now obscure, is the first linkage of picnic with the euphemism “nick-nack.” He used in the sense of dining en piquenique, which suggests familiarity. The alliterative corruption is meant to be humorous for those in the...

Oliver Goldsmith’s “Retaliation” (1774)

Goldsmith’s “Retaliation” left unfinished at his death, alludes to dining “en piquenique” with mentioning the word. Motivated for being slighted by his friends, Goldsmith decided to get even at the dinner table. Attempting to get even with slights endured from...
Francisco Goya’s Merienda a orillas del Manzanares (1776)

Francisco Goya’s Merienda a orillas del Manzanares (1776)

Merienda a orillas del Manzanares [Picnic At the Edge of the Manzanares River] is a painting for a tapestry intended for the dining room of the Prince and Princess of Asturias in the San Lorenzo Palace in Madrid. Goya described the subject as a merienda, a snack, or a...
Touchard-Lafosse’s Pique-Nique Manqué (1776c)

Touchard-Lafosse’s Pique-Nique Manqué (1776c)

Oeil-de-boeuf is Touchard-Lafosse’s pseudonym used to sign off on his gossip reports about Louis XIV’s court and Parisian society Oeil-de-boeuf is a circular window, often indoors, above a doorway. As a metaphor, it suggests gossip that is sexually tinged or...
A Merry Company on the Banks of the Rímac (1780c)

A Merry Company on the Banks of the Rímac (1780c)

Lima was a thriving major colonial town now grown into Chile’s capital and largest city with 10 million. Two centuries ago, an unidentified artist of the Lima School painted A Merry Company on the Banks of the Rímac, a happy picnic in which elegant aristocrats engaged...
Ramon Bayeu’s La merienda  (1780s)

Ramon Bayeu’s La merienda (1780s)

It’s a picnic, but little else is known about this painting. Featured Image: Ramon Bayeu y Subias. La merienda (1780s). Oil on canvas. Museo del Prado,
George Morland’s The Anglers’ Repast (1789)

George Morland’s The Anglers’ Repast (1789)

Morland’s painting The Anglers’ Repast, aka A Luncheon Party, is a scene of outdoor amusement and leisure. (There was as yet not word to identify this as a picnic.) Though the popular title is The Anglers’ Repast, the presence of fishing gear —...
A Merry Company on the Banks of the Rímac (1780c.)

A Merry Company on the Banks of the Rímac (1780c.)

Lima was a thriving major colonial town now grown into Chile’s capital and largest city with a population of 10 million. Two centuries ago, an unidentified artist of the Lima School painted A Merry Company on the Banks of the Rímac, a happy picnic in which elegant...
Francisco Bayeu y Subias’s Merienda en el Campo (1786)

Francisco Bayeu y Subias’s Merienda en el Campo (1786)

Bayeu’s Picnic in the Country [aka Merienda en el Campo] is a study of a proposed tapestry destined for the royal palaces of the Spanish monarchy now exhibited in the Prado’s Salon de Consejos. The picnickers have gathered around awhile cloth set on the...
John Byng’s The Torrington Diaries (1792)

John Byng’s The Torrington Diaries (1792)

Among his many adventures traipsing about England, John Byng was proud of picnicking on the far side of High Force though the experience left him miserably wet. After spending an uncomfortable night in an inn, Byng hired a guide and, stuffing his pockets with eatable,...
Maximilien Robespierre’s response to his antagonists (1792)

Maximilien Robespierre’s response to his antagonists (1792)

When political rivals attacked, Robespierre replied: “If someone reproaches me, I wait for him here. It is here that he must accuse me, and not in picnics, in particular societies. Is there anyone? Let him get up.” No one stood, but he was eventually forced to resign...
Thomas Rowlandson’s Undertakers Regaling (1801)

Thomas Rowlandson’s Undertakers Regaling (1801)

Rowlandson’s Undertakers Regaling is a jibe at Robert Blair’s pious and maudlin “The Grave.”* Rowlandson does not mention Blair, but his audience would have recognized the allusion to his well-known and well-anthologized poem. Appended to...
Maria Spilsbury’s The Drinking Well in Hyde Park (1802)

Maria Spilsbury’s The Drinking Well in Hyde Park (1802)

Spilsbury does not use picnic (if she even knew the word) to describe the luncheon because it was not yet in everyday use. However, The Drinking Well in Hyde Park (1802) reminds us that the park has long been a popular gathering place for socializing and leisure....
James Gillray  and the Pic Nics (1801-1803)

James Gillray and the Pic Nics (1801-1803)

­Picnic, the English phonetic spelling of pique-nique, owes its introduction in English parlance to the Pic Nics, a London club that had a brief run from 1801-1803. We remember the Pic Nics because James Gillray lampooned and mocked them. We recognize that this was...