Nunnally Johnson’s The Man in the Gray Flannel Suit  (1956)

Nunnally Johnson’s The Man in the Gray Flannel Suit (1956)

Wilson’s The Man in the Gray Flannel Suit and Johnson’s film strongly solidified the character of Tom Wrath as a symbol of mid-twentieth Century America, the rising generation of white, well-educated men striving for wealth and power in mid-century 19th...
Nunnally Johnson’s The Man in the Gray Flannel Suit  (1956)

Sloan Wilson’s The Man in the Gray Flannel Suit (1955)

Ernest Hemingway thought Sloan Wilson’s The Man in the Gray Flannel Suit was trash. However, Americans still readjusting to World War Two and its aftermath thought made it a best-seller. Within a year of publication, Nunnally Johnson directed a faithful film...
M.F.K. Fisher’s “The Pleasures of Picnics” (1957)

M.F.K. Fisher’s “The Pleasures of Picnics” (1957)

Fisher sets rules for picnics in stone. In “The Pleasures of Picnics,” she declares people who do not like picnics must be “dismissed immediately.” Fisher’s “true” picnic (and maybe yours?) must be outdoors and away from home....
Philip K. Dick’s Eye in the Sky (1957)

Philip K. Dick’s Eye in the Sky (1957)

The picnic in Dick’s Eye in the Sky is characteristic of his style of mixing shifting planes of reality and illusion, laced with sardonic humor. The picnic takes when the real world collides accidentally with an alternate world it’s the result of an...
Fernando Arrabal’s Picnic on the Battlefield (1959)

Fernando Arrabal’s Picnic on the Battlefield (1959)

  Arrabal’s Picnic on the Battlefield is a metaphor for the stupidity of war. He undermines picnic expectations as the obtuse (but well-meaning) Tépans march onto the battlefield to entertain their son Zapo. When the action begins, Zapo is surprised to see...
Douglas Sirk’s Imitation of Life (1959)

Douglas Sirk’s Imitation of Life (1959)

\Sirk wrote a picnic for Imitation of Life as a happy time away from a hectic work schedule. Needing a break, Lora Meredith collects her daughter Susie and her African American housekeeper Annie Johnson and calls her sometime lover Steve Archer, “Listen. . . I...
Guy Hamilton’s A Touch of Larceny (1960)

Guy Hamilton’s A Touch of Larceny (1960)

Adapting Andrew Garve’s The Megstone Plot and retitling it A Touch of Larceny, Hamilton’s screenplay hints he’s radically departed from the novel. Instead of Garve’s somber noir, Hamilton’s is a comedy. Easton’s ruse is to cast the...
Archibald J. Motley Jr.’s  Barbecue (1960)

Archibald J. Motley Jr.’s Barbecue (1960)

Motley’s A rooftop party is a variation of a tar beach picnic. Couples are sitting at tables eating and drinking. Good spirits prevail. Motley’s typical attitude and his paintings invariable show African Americans happy in a world of easy living....
Günter Grass’sThe Tin Drum (1961)

Günter Grass’sThe Tin Drum (1961)

Grass’s mordant picnic satire describes five dwarfs, all Nazis, all entertainers in Bebra’s “Theater at the Front,” gathering for a picnic feast on a beach in Normandy. The irony of pleasure is lost on them. Living in the present, Oskar and his friends are happy to...