George Orwell’s Nineteen-Eighty-Four (1948)

George Orwell’s Nineteen-Eighty-Four (1948)

Winston Smith’s relationship with Julia (no last name) is among the most satisfying moments in Orwell’s 1984. It’s an interlude of romantic entanglement that begins a lustful relationship ending in pain and utter defeat. Leaving the dust of London for a safe place in...
John Ford’s She Wore a Yellow Ribbon (1949)

John Ford’s She Wore a Yellow Ribbon (1949)

Ford’s jokey picnic episode is among the best. It plays counter to expectations because the picnic never happens. The situation is built around a conflict of rivals at an Army cavalry outpost in the 1870s. Miss Olivia Dandridge is flirting with Lt. Pennell and...
Roger Medearis’s Family Reunion (1950)

Roger Medearis’s Family Reunion (1950)

Medearis’ Family Reunion is a joyous and humorous evocation of an American extended family gathering. Featured Image: Roger Medearis. Family Reunion (1950). Colored lithograph.
Leonora Carrington’s Pastoral (1950)

Leonora Carrington’s Pastoral (1950)

As with many of Carrington’s surrealistic paintings, they are enigmas. Maybe they are snapshots of her inner life—a mix of personal relationships, dreams, alchemy, astrology, myth, and probably alcohol and drugs. You may find the compositions appealing dream-visions...
Anna Mary Robertson “Grandma” Moses”  The Family Picnic (1951)

Anna Mary Robertson “Grandma” Moses” The Family Picnic (1951)

Anna Mary Robertson Moses, aka Grandma Moses, is an American primitive artist whose paintings convey a strong pastoral sentimentality.  In all her paintings, the subjects are the people of her town, Hoosic Falls, NY, whose activities she celebrates. The Family Picnic...
Elizabeth David’s A Book of Mediterranean Food (1950)

Elizabeth David’s A Book of Mediterranean Food (1950)

David’s favorite picnic food is tian. She asserts that it’s simple for the experienced cook, especially if you have a tian, the Provençal earthenware casserole it is cooked in. You also need freshly baked bread, butter, cheese, and wine. David’s...
Samuel Beckett’s Malone Dies (1951)

Samuel Beckett’s Malone Dies (1951)

Time and details in Beckett’s Malone Dies are contradictory and often obscure. Events of the narrative are confusing, especially as it reaches a bloody climax that ends when Malone hacks six to death at a picnic. The picnic is narrated by the protagonist Malone...
George Stevens. A Place in the Sun (1951)

George Stevens. A Place in the Sun (1951)

Stevens’s A Place in the Sun is a rework of Dreiser’s An American Tragedy. He renames the characters, too, so that Clyde Griffiths becomes George Eastman. It’s like renaming Dorothy in The Wizard of Oz or Tarzan. He and his screenwriters are emphatic...
John Wyndham’s The Day of the Triffids (1951)

John Wyndham’s The Day of the Triffids (1951)

Bill Masen and Josella Platon, exhausted survivors of vicious triffids, mutant plants with a taste for human flesh and blood, are stranded in a ruined landscape of Southampton. Wistfully, they are waiting to escape to Isle of Wight, a new Eden, which has been cleared...
George Stevens. A Place in the Sun (1951)

George Stevens’ A Place in the Sun (1951)

Stevens’s A Place in the Sun is a rework of Dreiser’s An American Tragedy. He renames the characters, too, so that Clyde Griffiths becomes George Eastman. It’s like renaming Dorothy in The Wizard of Oz or Tarzan. He and his screenwriters are emphatic...
Billy Wilder’s Love in the Afternoon (1952)

Billy Wilder’s Love in the Afternoon (1952)

Wilder added the picnic to Love in the Afternoon as a setting for comic action and romantic courtship. His sources for the film Paul Anet’s Ariene, juene file Russe (1920), and Paul Czinner’s film adaption The Loves of Ariene (1931) do not have picnics....
Edna Ferber’s Giant (1952)

Edna Ferber’s Giant (1952)

Giant is Ferber’s novel about how a Virginia belle, Leslie Lynton, learns to be a Texan. Among her lessons is what to eat during a Texas-style picnic at her husband Reata, her husband Bick Jordan’s ranch. At first, Leslie realizes what she is looking at is...
Gwen Raverat’s Period Piece  (1952)

Gwen Raverat’s Period Piece (1952)

“Heroic Survivors of the Picnic.” is Gwen Raverat’s bittersweet memory of a miserable picnic. It’s the next-to-last anecdote in her memoir Period Piece: A Cambridge Childhood. I think she means to suggest that life was no picnic but that she...
Felice Benuzzi No Picnic on Mount Kenya (1952)

Felice Benuzzi No Picnic on Mount Kenya (1952)

Benuzzi’s original title for his memoir was Fuga sul Kenya – 17 giorni di liberta [Escape on Kenya – 17 days of liberty]. But being deeply impressed by Vivienne de Watteville’s Speak to the Earth, her memoir of camping on Mount Kenya, * he renamed the...
David Dodge’s To Catch a Thief (1952)

David Dodge’s To Catch a Thief (1952)

Dodge’s To Catch a Thief does not have a picnic episode. See David Dodge. To Catch a Thief. New York: Random House, 1952; Alfred Hitchcock. To Catch a Thief (1955). The screenplay by John Michael Hayes is based on David Dodge’s novel (1952), Hilary Radner. “To Catch a...