A Merry Company on the Banks of the Rímac (1780c)

A Merry Company on the Banks of the Rímac (1780c)

Lima was a thriving major colonial town now grown into Chile’s capital and largest city with 10 million. Two centuries ago, an unidentified artist of the Lima School painted A Merry Company on the Banks of the Rímac, a happy picnic in which elegant aristocrats engaged...
A Merry Company on the Banks of the Rímac (1780c.)

A Merry Company on the Banks of the Rímac (1780c.)

Lima was a thriving major colonial town now grown into Chile’s capital and largest city with a population of 10 million. Two centuries ago, an unidentified artist of the Lima School painted A Merry Company on the Banks of the Rímac, a happy picnic in which elegant...
Francisco Bayeu y Subias’s Merienda en el Campo (1786)

Francisco Bayeu y Subias’s Merienda en el Campo (1786)

Bayeu’s Picnic in the Country [aka Merienda en el Campo] is a study of a proposed tapestry destined for the royal palaces of the Spanish monarchy now exhibited in the Prado’s Salon de Consejos. The picnickers have gathered around awhile cloth set on the...
John Byng’s The Torrington Diaries (1792)

John Byng’s The Torrington Diaries (1792)

Among his many adventures traipsing about England, John Byng was proud of picnicking on the far side of High Force though the experience left him miserably wet. After spending an uncomfortable night in an inn, Byng hired a guide and, stuffing his pockets with eatable,...
Maximilien Robespierre’s response to his antagonists (1792)

Maximilien Robespierre’s response to his antagonists (1792)

When political rivals attacked, Robespierre replied: “If someone reproaches me, I wait for him here. It is here that he must accuse me, and not in picnics, in particular societies. Is there anyone? Let him get up.” No one stood, but he was eventually forced to resign...
Thomas Rowlandson’s Undertakers Regaling (1801)

Thomas Rowlandson’s Undertakers Regaling (1801)

Rowlandson’s Undertakers Regaling is a jibe at Robert Blair’s pious and maudlin “The Grave.”* Rowlandson does not mention Blair, but his audience would have recognized the allusion to his well-known and well-anthologized poem. Appended to...