Anna Mary Robertson. [Grandma Moses]. July Fourth Postage (1969)

Anna Mary Robertson. [Grandma Moses]. July Fourth Postage (1969)

In 1969 the United States issued a postage stage stamp with a Grandma Moses painting’s July Fourth subject. The stamp shows a horse-drawn carriage going somewhere, but the story ends just as it is about to reach its destination. It ought to have had a picnic because...
May Angelou’s I Know Why the Caged Bird Sings  (1969)

May Angelou’s I Know Why the Caged Bird Sings (1969)

Angelou fondly recalls the “summer picnic fish-fry” with characteristic high spirits. As narrated in her fictionalized memoir, I Know Why the Caged Bird Sings, Angelou explains this was the biggest outdoor event of the year” in the African American Stamps, Arkansas....
Richard Attenborough’s Oh! What a Lovely War (1969)

Richard Attenborough’s Oh! What a Lovely War (1969)

Attenborough’s Oh! What a Lovely War keeps the essential anti-war satire originally envisioned by Charles Chiltern and Joan Littlewood. New and effective, however, is the film’s final sequence, which begins as a picnic on the grass and ends with a...
Vladimir Nabokov’s Ada, or Ardor: A Family Chronicle (1969)

Vladimir Nabokov’s Ada, or Ardor: A Family Chronicle (1969)

The picnic celebrates Ada’s sexual awakening on her twelfth birthday. * It’s a picnic during which she initiates a life-long incestuous relationship with her older brother Van Veen. As a sign of her age, Ada wears a long but airy and ample black skirt with...
Nikka Hazelton’s The Picnic Book (1969)

Nikka Hazelton’s The Picnic Book (1969)

Hazelton prefers picnics that are not spontaneous.. She  contends a picnic begins when you “invite the people and then figure out the food.”  “My idea of a good picnic, she writes, “is one that I can fix up at home and need only carry and unpack at the chosen spot. I...
Joan Miró’s The Rustics Gingham (1969)

Joan Miró’s The Rustics Gingham (1969)

Miró probably printed this image of rustics at play on a typical picnic cloth of red gingham as a decorative joke. Miró has said it’s never easy for him to talk about his art. In a letter to Pierre Matisse, however, he explains that he is drawn to his objects by some...
John Bellany’s Lovers by the Sea (1970s?)

John Bellany’s Lovers by the Sea (1970s?)

Strange figures and vibrant colors make this picnic unsettling. The setting appears to be a sailboat in which a puffin sits beside a bare-breasted woman with a face like a mask. There is a  dog in her lap and a striped tabby at her knee. Above the funnel (lower right)...
Robert Welber’s The Winter Picnic (1970)

Robert Welber’s The Winter Picnic (1970)

Welber’s The Winter Picnic is about a willful boy who wants a picnic, even in the snow. Adam is a city boy who wants to picnic even in the snow despite his mother’s protestations. Adam bundles up and plays picnic:  he makes plates, cups, and a bowl out of snow but...
Claude Chabrol’s Le boucher (1970)

Claude Chabrol’s Le boucher (1970)

It’s an ordinary school trip when Hélène guides her class to Cougnac Caves above the Dordogne River. The cave paintings are thirty-thousand-year-old, but lunch is more important for the children. They chatter when Hélène has the children safely settled on the...
Charles McCarry’s  The Secret Lovers (1970)

Charles McCarry’s The Secret Lovers (1970)

The picnic in McCarry’s The Secret Lovers, a Cold War spy-versus-spy novel, is a sly allusion to Édouard Manet’s Le déjeuner sur l’herbe. When Paul Christopher’s boss David Patchen complains that Impressionists bore him and “Picnics explain nothing,”...