Ray Bradbury’s “The Million Year Picnic” (1946)

Ray Bradbury’s “The Million Year Picnic” (1946)

Bradbury’s “The Million Year Picnic” is a sad metaphor about what a picnic is not—a family’s escape from Earth to build a new Eden on Mars. We don’t know how it ends because this is the final story in the collection of The Martian...
Agatha Christie’s Come, Tell Me How You Live (1946)

Agatha Christie’s Come, Tell Me How You Live (1946)

Christie’s picnic at Kawkab in Syria was indelible because the dessert was in bloom. During an archeological dig in 1934 (?), Christie and Max Mallowan* packed a lorry named Queen Mary for sightseeing at Kawkab, a hill about 300 meters high. They expected an...
Caroline Gordon’s “The Petrified Woman” (1947)

Caroline Gordon’s “The Petrified Woman” (1947)

Gordon’s picnic is a snapshot of the Fayerlees and Meriwether’s Southern family reunion. It’s an August tradition for more than one hundred folks from all over the South and elsewhere. It’s not a happy day. As revealed by Sally Maury, who was...
Robert Norton’s Memories of Edith Wharton Picnicking (1947c)

Robert Norton’s Memories of Edith Wharton Picnicking (1947c)

Norton recalls Edith Wharton “had a passion for picnics, a passion not shared by quite all of her guests, some of whom, unskilled at balancing a loaded plate on their knees, would have secretly preferred a hot square meal served on solid mahogany: but they dared not...
Boris Vian’s L’Écume des jours (1947)

Boris Vian’s L’Écume des jours (1947)

Vian’s L’Écume des jours is variously translated as The Foam of Days, The Scum of Days, or Froth on the Daydream. Take your pick. It was filmed by Charles Belmont as Spray of Days (1968) and retold as an opera by Edison Denisov (1986). It was without a picnic until...
Orson Welles’s The Lady from Shanghai (1947)

Orson Welles’s The Lady from Shanghai (1947)

Imagine a noir picnic at which you tell your hosts a shark-feeding-frenzy story. That’s Orson Welles’ idea of dark times in The Lady from Shanghai. Imagine, too, that the story told by Michael O’Hara is intended as an allusion to his host and...
Herbert Wilcox’s Spring in Park Lane (1948)

Herbert Wilcox’s Spring in Park Lane (1948)

A picnic in the park is a perfect situation for accommodating a would-be lover. Suspicious that her footman Richard is not what he pretends to be, Judy allows him to picnic with him on the Serpentine in Hyde Park. The conversation is rapid-fire and full of innuendo...