Simka Simkhovitch’s The Picnic (1930s)

Simka Simkhovitch’s The Picnic (1930s)

Simkhovitch’s The Picnic is a day of leisure, but the group seems mirthless. They sit on bare earth, and each is unsmiling and subdued. There is an absence of picnic joy as a small picnic cloth is spread around which they all gather. A man in a bathing suit reclines,...
Josef von Sternberg’s An American Tragedy (1931)

Josef von Sternberg’s An American Tragedy (1931)

Dreiser disapproved of von Sternberg’s An American Tragedy. He argued Von Sternberg and screenwriter Samuel Hoffenstein played down the grinding forces of social and financial pressures and accentuated the love story of Clyde Griffiths’ infatuation with a wealthy...
Ford Madox Ford’s “Banquet at Calanques” (1932)

Ford Madox Ford’s “Banquet at Calanques” (1932)

Ford’s “Banquet at Calanques” makes his life in 1932 seem picnicky. He remembered that brilliant day and the “Homeric feast” enthusiastically. But by the time it was published in 1937, Ford was at various times ailing and depressed,...
Tod Browning’s Freaks (1932)

Tod Browning’s Freaks (1932)

Rumor has it that at a studio script reading of Browning’s Freaks, Irving Thalberg, MGM’s production head, is reputed to exclaim, “I asked for something horrifying. Well, I got it.” But when Freaks was released, it failed. Unlike...
Ann Bridge’s Peking Picnic (1932)

Ann Bridge’s Peking Picnic (1932)

Bridge’s Peking Picnic is autofiction based on her life as the wife of the British Oriental Attaché in Peking. The romantic interlude suggests that Bridge’s real-life marriage to Owen O’Malley was no picnic. It’s the story of picnic romance...
Paul Sample’s Church Supper  (1933)

Paul Sample’s Church Supper (1933)

Sample’s Church Super is his judgment of his wife Sylvia’s hometown in Westmore, Vermont. It’s dour and static. The supper is ordinary, but many details tell otherwise. Though the minister calls the picnickers for grace, many are already eating. A...