Ford Motors’ Touring Car (1924)

Ford Motors’ Touring Car (1924)

Twentieth Century motoring greatly expanded opportunities for picnicking by allowing anyone to enjoy the freedom of the road. Fords were ubiquitous cars, and in this advertisement, they reinforced their dominance by claiming, “Wherever you live—in town or...
Theodore Dreiser’s An American Tragedy (1925)

Theodore Dreiser’s An American Tragedy (1925)

Dreiser’s picnic is hellish. It’s an expression of his dark view of humanity, like Zola’s proposition that when people succumb to the “fatalities of their flesh,” they are, and a sordid picnic is the “cataclysmic” center of An...
Alexander Gerasimov’s The Boating Party (1925)

Alexander Gerasimov’s The Boating Party (1925)

The Boating Party is motivated by state-instigated propaganda to boost a failing economy and patriotic spirits. Here, Gerasimov extolls Soviet agricultural abundance during a period when it was failing. The robust women enjoy a picnic in a rowboat chock-a-block with...
Ernest Hemingway’s The Sun Also Rises (1926)

Ernest Hemingway’s The Sun Also Rises (1926)

When Jake Barnes and Bill Gorton stop for lunch while trout fishing on the Irrazy River, it looks like a picnic. Whether it’s a lunch or a picnic doesn’t matter because it’s when Hemingway chooses to reveal Jake Barnes’ spiritual disquietude...
King Vidor’s La Bohème (1926)

King Vidor’s La Bohème (1926)

Vidor’s picnic in La Bohème narrates the critical moment when Mimi and Rodolpho fall in love. It’s absent from the screenplay’s sources: Puccini’s opera La Bohème and Henri Muger’s Scenes de la vie bohème (Scenes of Bohemian Life). The legend tells that   Her first...
Dubose Heyward’s Porgy & Bess (1926)

Dubose Heyward’s Porgy & Bess (1926)

According to Heyward, “It was the day set for the grand parade and picnic of “The Sons and Daughters of Repent Ye Saith the Lord,” and, with the first light of morning, Catfish Row had burst into a fever of preparation.” Expectations promise...
Conrad Aiken’s “Strange Moonlight” (1925)

Conrad Aiken’s “Strange Moonlight” (1925)

Conrad Aiken’s “Strange Moonlight” (1925) is a moody picnic story. It’s an elegy on death seen through the eyes of an unnamed young boy, somewhere between nine and eleven years old, who is bewildering affected by the death of his dear friend...