Pieter Bruegel the Elder’s The Land of Cockaigne (1567)

Pieter Bruegel the Elder’s The Land of Cockaigne (1567)

  Bruegel the Elder’s The Land of Cockaigne, aka Het Luilekkerland, makes you think it’s a picnic. Not. It’s a satirical look at Cockaigne, a mythical place where it’s always spring and never winter, in which life is all play and no work,...
George Gascoigne’s The Noble Arte of Venerie or Hunting (1575)

George Gascoigne’s The Noble Arte of Venerie or Hunting (1575)

Gascoigne adapted Gaston Phébus’s The Book of the Hunt (1380) and Jacques du Fouilloux’s in La Venerie (1560) into English, retitling the work The Noble Arte of Venerie or Hunting (1575). (The book is dedicated to Lord Clinton, Elizabeth’s master of...
Thomas Trevelyon’s  Lover’s Picnics in The Miscellany (1608)

Thomas Trevelyon’s Lover’s Picnics in The Miscellany (1608)

Trevelyon’s Miscellany is a meticulously illustrated compendium of 1608. It’s stocked with a calendar, scenes from the Bible, current events, court, political figures, costumes, fabric designs, games, dances, etc. It’s among the marvels of bookcraft...
Crispijn de Passe’s Picnic in New Mirror for Youth (1617)

Crispijn de Passe’s Picnic in New Mirror for Youth (1617)

Early in the 16th century, Dutch emblem books primers or handbooks for youthful aristocrats. Among the more socially and sexually suggestive of these books are The Garden of Love [Hortus Voluptatum] (1599) and New Mirror for Youth [Nieuwen ieucht spieghel] (1617),...
Dirck Hals’s Banquet in the Country (1620c.)

Dirck Hals’s Banquet in the Country (1620c.)

Hals’s Banquet in the Country is a portrait of an aristocratic or merchant family dining alfresco in the garden of their estate. It’s meant to display social importance, status, and wealth. This picnicking subject was one of many Hals painted. See Dirck Hals. Banquet...
Giovanni Passeri’s  A Party Feasting (1645c.)

Giovanni Passeri’s A Party Feasting (1645c.)

Passeri’s A Party Feasting in a Garden seems like a happy end to an alfresco luncheon. Young couples are deep in conversation, flirting, and courting, which suggests this is a garden of love. It is casual and innocent, though Passari is a moralist. Close examination...
Jan Miel’s  La Merienda and Hunters at Rest (1640s/50s)

Jan Miel’s La Merienda and Hunters at Rest (1640s/50s)

Miel’s halt on the hunt and repas de chasse depicts hunters stopped by a rustic inn. In the Prado’s La Merienda, hunters have spread a cloth beside their horses and are settling in to relax. This is a perfunctory meal of sliced ham, cheese, bread, and wine. Unlike...
Samuel Pepys’ Diary (1664 & 1667)

Samuel Pepys’ Diary (1664 & 1667)

Pepys’s “frolique” is a euphemism for a picnic, which did not exist as a word in English. It was among his favorite ways to spend an afternoon with friends idling. It was a favorite way for him to spend an afternoon with friends idling. We know this...
Jean-Antoine Watteau’s Rendez-vous de chasse (1717/20)

Jean-Antoine Watteau’s Rendez-vous de chasse (1717/20)

Watteau’s Rendez-vous de chasse illustrates a common activity among hunters, especially aristocrats who stopped about midday for a luncheon. The pause was called a tryst (a  meeting at predetermined location), where their wives or mistresses met the hunters....