Dylan Thomas’  The Outing (1954)

Dylan Thomas’ The Outing (1954)

Thomas’ life and marriage were tumultuous. So in November 1953, when Caitlin Thomas entered St. Vincent’s Hospital in New York looking for her husband, she expected a positive answer to her question, “Is the bloody man dead yet?” What she got was “Not yet,” for he was...
Claude Autant-Lara’s The Ripening Seed  (1954)

Claude Autant-Lara’s The Ripening Seed (1954)

Autant-Lara’s Le Blé en herbe is good at separating the dual aspects of love in Colette’s novel about adolescents and friends for years and learning about love while vacationing in Normandy. There are two parts to the narrative. In the first part, teenagers Philippe...
Alfred Hitchcock’s To Catch a Thief (1955)

Alfred Hitchcock’s To Catch a Thief (1955)

David Dodge and Alfred Hitchcock had differing views on the character of John Robie, aka The Cat, and the hero of To Catch a Thief. Dodge disguised the thirty-four-year-old to look older and plumper; for his film, Hitchcock chose fifty-one-year-old Cary Grant to play...
Lennart Anderson’s Idylls (1955-2015)

Lennart Anderson’s Idylls (1955-2015)

Anderson series of Idylls are picnicky, filled with people happily dancing and singing on the grass. He called the first Bacchanal and the other Idylls. In an interview, Anderson referenced Matisse’s Luxe, Calme et Volupté as a modern arcadian idyll but does not...
Henry King’s Carousel (1956)

Henry King’s Carousel (1956)

King’s Carousel “A Real Nice Clambake” is full of picnicky camaraderie and good spirits, but it takes a nose-dive when the news comes that Julie Jordan’s lover Billy Bigelow, botched robbery is dead. King is casual about having the actors...
Nunnally Johnson’s The Man in the Gray Flannel Suit  (1956)

Nunnally Johnson’s The Man in the Gray Flannel Suit (1956)

Wilson’s The Man in the Gray Flannel Suit and Johnson’s film strongly solidified the character of Tom Wrath as a symbol of mid-twentieth Century America, the rising generation of white, well-educated men striving for wealth and power in mid-century 19th...
Nunnally Johnson’s The Man in the Gray Flannel Suit  (1956)

Sloan Wilson’s The Man in the Gray Flannel Suit (1955)

Ernest Hemingway thought Sloan Wilson’s The Man in the Gray Flannel Suit was trash. However, Americans still readjusting to World War Two and its aftermath thought made it a best-seller. Within a year of publication, Nunnally Johnson directed a faithful film...
Douglas Sirk’s Written on the Wind (1956)

Douglas Sirk’s Written on the Wind (1956)

The picnic episode is the eye of a romantic hurricane in which Marylee Hadley attempts to seduce Mitch Wayne. Marylee choses the picnic ground because it’s where she and Mitch played and picnicked when they were teenagers. She remembers that once, she asked Mitch if...
Philip K. Dick’s Eye in the Sky (1957)

Philip K. Dick’s Eye in the Sky (1957)

The picnic in Dick’s Eye in the Sky is characteristic of his style of mixing shifting planes of reality and illusion, laced with sardonic humor. The picnic takes when the real world collides accidentally with an alternate world it’s the result of an...
Douglas Sirk’s  Interlude (1957)

Douglas Sirk’s Interlude (1957)

Sirk’s Interlude is ninety minutes of adultery that ends when Helen says, “We have no chance. It’s impossible,” and Tonio replies, “You are right.” Salzburg is all sunshine when Tonio takes Helen for a picnic in his red...