Norman Z. McLeod’s It’s a Gift (1934)

Norman Z. McLeod’s It’s a Gift (1934)

McLeod’s It’s a Gift is a testament to W.C. Fields’s comic skill at making a picnic an utterly messy war zone. On their way west to California, the Bissonettes pronounced bis-on-nay and stopped for picnic lunch. Blithely ignoring a “Private...
Heath Robinson’s “Just a Picnic at Whipsnade” (1934)

Heath Robinson’s “Just a Picnic at Whipsnade” (1934)

The zany humor of “Just a Picnic at Whipsnade” is Heath Robinson’s trademark. Of the two picnics here, the lion has got the better deal. It also helps to know that Whipsnade is England’s biggest zoo, near Luton, an hour and twenty minutes north of London. Featured...
James Whale’s The Bride of Frankenstein (1935)

James Whale’s The Bride of Frankenstein (1935)

The Bride of Frankenstein is a sequel to Whale’s Frankenstein. It was received as a horror film and was generally highly regarded by critics. But on close viewing, it’s a screwball comedy—a campy hodgepodge of satire that Whale and screenwriters William...
Dylan Thomas’s  “The Orchards” (1936)

Dylan Thomas’s “The Orchards” (1936)

Thomas’s “The Orchards” is a nightmare. It’s a death-in-life story about Marlais, a blocked writer who meets spectral women, demon-lovers, at a horrible picnic. The narrative begins when Marlais contemplates suicide but instead is summoned by...
Ilse Martha Bischoff’s Picnic on a River (1937)

Ilse Martha Bischoff’s Picnic on a River (1937)

Bischoff’s Picnic on the River is a scene that alludes to a happy time. The picnic cloth is well-stocked with a wicker basket, and wine and food are surrounded by picnickers of all ages. The central character is the woman in yellow sitting beside the recumbent woman...
Aleksandr Gerasimov’s Collective Farm Harvest Festival  (1937)

Aleksandr Gerasimov’s Collective Farm Harvest Festival (1937)

Gerasimov’s celebration of a very abundant harvest is propaganda. Soviet farms were not producing well, and the nation suffered chronic harvest shortages. Stalin’s propaganda program deemed otherwise, and the artists and writers were instructed to portray a land of...
Fedor Sytskov’s Day Off at the Kolkhoz (1937)

Fedor Sytskov’s Day Off at the Kolkhoz (1937)

Universal happiness in a “Land of Milk and Honey” was a favorite propaganda theme percolating throughout Stalin’s USSR. It was an alternative reality conforming to State doctrine at odds with reality. Among artists, Fedor Sytskov’s Day Off at...
Lee Miller’s Picnic [Ile Sainte-Marguerite] (1937)

Lee Miller’s Picnic [Ile Sainte-Marguerite] (1937)

Miller’s Picnic (1937) is a photograph lovers’s gossip. At the time, Miller seemed to think of it as just another snapshot, but it’s now among her best sellers. In the summer of 1937, Miller and Roland Penrose, her lover, lived in Mougins, a village above Cannes near...
W.C. Fields’s Three-Day Picnic (1938?)

W.C. Fields’s Three-Day Picnic (1938?)

Perhaps it’s gossip, but according to Robert Lewis Taylor, Fields crammed his Lincoln or Cadillac, he was a collector, with hampers of watercress, chopped olives and nuts, tongue, peanut butter, and strawberry preserves, deviled eggs, and spiced ham sandwiches,...