Gustave Flaubert’s Emma Bovary (1856)

Gustave Flaubert’s Emma Bovary (1856)

Flaubert’s Madame Bovary is attack on the French bourgeoisie’s crudities and lack of taste. A pivotal moment occurs at Emma Rouault’s wedding party, a vaguely picnicky outdoor event. The party foreshadows Emma’s disastrous relationship with...
George Warner Allen. Picnic at Wittenham (1947-1948)

George Warner Allen. Picnic at Wittenham (1947-1948)

A more placid and joyful allusion to the myth of Pan is George Warner Allen’s adaptation in painting, Picnic at Wittenham (1947-1948). It is a pastoral with an edge and suggests his homosexuality. Allen’s adaptation of Jean-Antoine Watteau’s picnicky social...
Gustave Courbet’s  Le Repas de chasse  (1858)

Gustave Courbet’s Le Repas de chasse (1858)

Exalting himself as a star hunter, “un homme libre,” or free man, Courbet painted himself in the center of Le Repas de chasse. Many luncheons, repas de chasse, were already painted by Watteau, Van Loo, De Troyes, and others, but their aristocratic...
Watkyn Williams’s  Hampstead Is the Place to Ruralise (1861)

Watkyn Williams’s Hampstead Is the Place to Ruralise (1861)

Williams’s Popular Song Hampstead Is the Place to Ruralise Hampstead Is the Place to Ruralise, All on a Summer Day (1861) is a comic hymn dedicated to the pleasures of Hampstead Heath. The euphemism “ruralizing,” like gypsying, had been in use since...
Carl Spitzweg’s Déjeuner sur l’herbe (1864c.)

Carl Spitzweg’s Déjeuner sur l’herbe (1864c.)

Spitzweg’s Dejeuner sur l’herbe, Das Picknick, aka Luncheon on the Grass, is a happy middle-class person in the country. They sit, relaxing and enjoying each other’s company. The central figure, a portly man, toasts a woman in white, perhaps a bride. The company rises...
Anthony Trollope’s Can You Forgive Her? (1864)

Anthony Trollope’s Can You Forgive Her? (1864)

Trollope’s beach picnic in Can You Forgive Her (1864) is highlighted with a stern warning: “Yarmouth is not a happy place for a picnic. A picnic should be held among green things. Green turf is absolutely essential. There should be, if possible, rocks, old...
Emile Zola’s Therese Raquin (1867)

Emile Zola’s Therese Raquin (1867)

Thérèse Raquin and her lover, Laurent Le Claire, murder her husband Camille at a picnic. It’s a pivotal episode, proving Emile Zola’s contention that people acting out the “fatalities of their flesh” become brutes humaines. to characterize this...
Arthur Hughes’s   A Birthday Picnic (1867)

Arthur Hughes’s A Birthday Picnic (1867)

Hughes used a picnic as a theme for a family portrait of the Pattinson family. The title he gave was A Birthday Picnic – Portraits of the children of William and Anne Pattinson of Felling, near Gateshead. A red table with food in the left background, but it is...