James Jacques  Tissot La partie carrée (1870)

James Jacques Tissot La partie carrée (1870)

James Jacques Joseph Tissot’s La Partie carrée, aka The Foursome, is more sexually suggestive than the English title indicates.   The French title Partie Carrée suggests a sexual tryst and alludes to Édouard Manet’s The Luncheon on the Grass (1863)....
Gilbert & Sullivan’s Thespis (1872)

Gilbert & Sullivan’s Thespis (1872)

Gilbert and Sullivan’s Thespis or the Gods Grown Old is an early collaboration and not one of their best. It’s a topsy-turvy derivative version of Jacques Offenbach’s operetta Orpheus in the Underworld or Orphée aux envers. Instead of comedy in the...
Pál Szinyei Merse’s  Majális   aka Mayfair(1873)

Pál Szinyei Merse’s Majális aka Mayfair(1873)

Majális is Merse’s staid Hungarian middle-class-style homage to Manet’s Dejeuner sur L’herbe. Though this is obviously a picnic, the title means “Mayfair.” Merse does not use the Hungarian loanword piknik or the expression jó s Majális zórakozás, a pleasant amusement...
George Eliot’s Daniel Deronda (1876)

George Eliot’s Daniel Deronda (1876)

Eliot uses sport to illustrate gender relationships. Daniel Deronda has two archery picnics that do not meet the usual expectations of being joyous. Both archery picnics are metaphors in which Gwendolyn Harleth and the other women archers are contrasted to the goddess...
Guy De Maupassant’s “Une Partie de Campagne” (1881)

Guy De Maupassant’s “Une Partie de Campagne” (1881)

Maupassant uses the phrase une partie de campagne as a euphemism for an outdoor picnic. It’s a sad story about a romantic love that fizzles during a holiday celebrating a birthday, when the Dufours, a middle-class Parisian family, spend a day along the Seine at the...