Walt Disney’s Donald Duck Beach Picnic (1939)

Walt Disney’s Donald Duck Beach Picnic (1939)

Donald Duck’s beach picnic makes a joke of expectations. Intending a pleasant day at the beach, Donald is upset and bedeviled with turmoil. Especially the ants, dressed in war paint like “Native Americans,” steal Donald’s picnic. The idea is...
Jean Renoir’s Partie de Campagne (1946)

Jean Renoir’s Partie de Campagne (1946)

Renoir’s close adaptation of Guy de Maupassant’s Partie de Campagne is about the sad romantic consequences of a family picnic. Even the menu is Maupassant’s: fried fish, stewed rabbit [fricassee], salad, beer, claret, and coffee. However, Renoir...
Edward Dmytryk’s Raintree County (1957)

Edward Dmytryk’s Raintree County (1957)

Dmytryk’s picnic is a traditional affair on the rocky ledge of the Shawmucky River: a blanket, food, and a demijohn of corn liquor. It begins happily and ends with a kiss. The day’s happiness is a prelude to John Shawnessey’s love affair and unfortunate marriage to...
Alexandra Day’s  The Teddy Bears Picnic  (1983)

Alexandra Day’s The Teddy Bears Picnic (1983)

As they should, Day’s illustrations for The Teddy Bears’ Picnic emphasize a picnic where the bears are stocked with honey, bananas, pears, oranges, cake, soda, jellybeans, marshmallows, and chips. Inexplicably included are garlands of red peppers and garlic. See...
Luchino Visconti’s The Leopard (1963)

Luchino Visconti’s The Leopard (1963)

Lampedusa wanted the picnic in The Leopard to be a metaphor for Don Fabrizio’s outward pleasant condition masking his inward and disillusionment. Visconti wishes it to be a respite on a long dusty ride. Lampedusa describes a “funereal countryside, yellow...
Agnes Varda’s Le Bonheur (1964)

Agnes Varda’s Le Bonheur (1964)

Varda’s satirical idea is that family happiness depends on male arrogance and female docility. She suggests that if wives are replaceable, a man can lose one and plug in another. Voila, happiness. François Chevaliers supposes that a husband needs a mistress to...
Romare Bearden’s Khayam and the Black Girl (1971)

Romare Bearden’s Khayam and the Black Girl (1971)

Bearden transports Omar Khayyám’s Persia to the Tropics for his take on “Quatrain XI” from The Rubáiyát of Omar Khayyám. But the man is Persian and the woman is black. Though the poem suggests sensuality, Bearden presents the poet clothed but the woman naked, except...