Mary Elizabeth Braddon’s The Doctor’s Wife (1864)

Mary Elizabeth Braddon’s The Doctor’s Wife (1864)

The Doctor’s Wife is Braddon’s free adaptation of Flaubert’s Madame Bovary. Like Emma Bovary, Isabel Gilbert, the doctor’s unhappy wife, looks for romance. Unlike Emma, Isabel is never sexually seduced. She’s sullied but never ruined. There are...
Anthony Trollope’s Can You Forgive Her? (1864)

Anthony Trollope’s Can You Forgive Her? (1864)

Trollope’s beach picnic in Can You Forgive Her (1864) is highlighted with a stern warning: “Yarmouth is not a happy place for a picnic. A picnic should be held among green things. Green turf is absolutely essential. There should be, if possible, rocks, old...
Emile Zola’s Therese Raquin (1867)

Emile Zola’s Therese Raquin (1867)

Thérèse Raquin and her lover Laurent Le Claire murder her husband Camille at a picnic. It’s a pivotal episode, proving Zola’s contention that people acting out the “fatalities of their flesh” become brutes humaines. Everything about this picnic...
Arthur Hughes’s   A Birthday Picnic (1867)

Arthur Hughes’s A Birthday Picnic (1867)

Hughes used a picnic as a theme for a family portrait of the Pattinson family. The title he gave was A Birthday Picnic – Portraits of the children of William and Anne Pattinson of Felling, near Gateshead. A red table with food in the left background, but it is...
Émile Zola’s Madeleine Férat  (1868)

Émile Zola’s Madeleine Férat (1868)

Zola’s Madeleine Férat is dedicated to Édouard Manet. Defying the critical mainstream, Zola accepted Manet’s visual realism and his frank sensualism of Le déjeuner sur l’herbe and Olympia, which Zola defended against adverse criticism. Zola’s...
Carl Haag’s Luncheon at Cairn Lochan (1868)

Carl Haag’s Luncheon at Cairn Lochan (1868)

Haag’s Luncheon at Cairn Lochan shows the royal family picnicking in Scotland. Painted in 1868, Haag based the scene on an episode in 1861, three months before Prince Albert’s death. Yet, Haag shows the Queen dressed in her habitual black. She is accompanied by Albert...
Louisa May Alcott’s Little Women (1868)

Louisa May Alcott’s Little Women (1868)

“Sunshine and laughter are good omens for a pleasure party,”  Alcott writes in Little Women. And when Laurie writes to Jo to explain his intentions, he promises sunshine and laughter. Dear Jo, What ho! Some English girls and boys are coming to see me...