Miller’s in Breakfast at Sunrise looks picnicky, but it’s how adventurers and hunters dined in the wild. As a camp artist for Capt. William Drummond Stewart, a Scottish adventurer, Miller The hunters’ usual mess was served on a waterproof India...
For the illustrated American Scenery, Bartlett’s View from Mount Holyoke was accompanied by a text by Nathaniel P. Willis. The view is a topographical landscape, and Willis asserted that this was “Probably the richest view in America, in point of...
Bartlett’s View from Mount Holyoke was accompanied by a text by Nathaniel P. Willis. The view is a topographical landscape, and Willis asserted that this was “Probably the richest view in America, in point of cultivation and fertile beauty.” Unknown...
Seymour’s picnics are comic as in Unpacking for a Pic-Nic and “—A merry holiday party, forming a tolerable boat-load, and well provided with baskets of provisions, were rowing along the beautiful and picturesque banks that fringe the river’s side...
At the center of Corot’s View Near Naples is a summery rustic picnic in a grassy field above the Bay of Naples. Two couples have come for a holiday to eat, drink, sing, and dance. Despite the title’s location, the landscape is imaginary but based on...
Cole’s Pic-Nic Party is a standout for its joie de vivre. It’s not just another of Cole’s numerous “sylvan” scenes,” which his hyperbolic biographer Louis Noble described as being “all American, wide, bright polished water,...
Landseer’s A Dialogue at Waterloo is a portrait of Arthur Wellesley, Duke of Wellington, and his daughter-in-law, Lady Douro, visiting the battlefield. As the Duke describes the scene as thirty-five years before, they are accosted by a young peasant girl selling...
Three couples picnic on the edge of what looks like the cliffs in Dover. The women settle the picnic cloth while the men tend the campfire. Hicks flourished during the late 1850s through the end of the century, principally as a portrait and genre painter.
It’s unclear why Glaize selected a goûter champêtre or picnic for a portrait of his patron Alfred Bruyas. Perhaps Glaize meant to highlight Bruyas, dressed white, in a theatrical social setting as a man among many women. He spotlights his patron in the center,...
When Charles Dickens visited the Looking Glass Prairie in 1842, it reminded him of a Catlin exhibition in London. “The sun was going down, very red and bright,” Dickens writes, “and the prospect looked like that ruddy sketch of Catlin’s, which...
