Jan Miel’s  La Merienda and Hunters at Rest (1640s/50s)

Jan Miel’s La Merienda and Hunters at Rest (1640s/50s)

Miel’s halt on the hunt and repas de chasse depicts hunters stopped by a rustic inn. In the Prado’s La Merienda, hunters have spread a cloth beside their horses and are settling in to relax. This is a perfunctory meal of sliced ham, cheese, bread, and wine. Unlike...
Wenceslaus Hollar’s The Trojans’ First Meal in Latium (1654)

Wenceslaus Hollar’s The Trojans’ First Meal in Latium (1654)

Hollar illustrates the key moment in Virgil’s Aeneid (19 CE) when Aeneas realized that he had reached the land where he would build a new city where Trojans would prosper. The chosen moment is when Aeneas and his crew bivouac in a forest clearing in Latium and...
Ludolf Bakhuizen’s Picnick aan zee  (1701)

Ludolf Bakhuizen’s Picnick aan zee (1701)

Bakhuizen embellished this seascape (his usual subject) with a group of picnickers. Picnick ann zee’s contemporary title is appropriate but inaccurate because picnic was not applied to an alfresco meal in 1701. Pique-nique had only been included in Gilles...
Jean-Antoine Watteau’s Rendez-vous de chasse (1717/20)

Jean-Antoine Watteau’s Rendez-vous de chasse (1717/20)

Watteau’s Rendez-vous de chasse illustrates a common activity among hunters, especially aristocrats who stopped about midday for a luncheon. The pause was called a tryst (a  meeting at predetermined location), where their wives or mistresses met the hunters....
Jean-Antoine Watteau’s La Collation (1721c.)

Jean-Antoine Watteau’s La Collation (1721c.)

Watteau’s The Collation or Lunch in the Open (1710-1720s c.) is intimate and picnicky. Among his works, it is the most like a déjeuner sur l’herbe, except for his hunt luncheon subjects. As usual, for the French, the subject is not referred to as un...
George Lambert’s Box Hill Picnics (1733)

George Lambert’s Box Hill Picnics (1733)

Even if George Lambert knew the French word pique-nique, he would not describe an outing on the grass because it was not used in this context. By French custom, it was an indoor meal. Moreover, there is no evidence the English used pique-nique in writing or vocabulary...
Nicolas Lancret’s Picnic after the Hunt (1735/40)

Nicolas Lancret’s Picnic after the Hunt (1735/40)

Because the scene is obviously a picnic, the National Gallery of Art’s title, The Picnic after the Hunt, is apt. But Lancret, whose language was French, would not have used pique-nique because it refers to an indoor dinner. More likely, he would have titled un repas...
Jean François de Troy’s Hunt Breakfast (1737)

Jean François de Troy’s Hunt Breakfast (1737)

De Troy’s hunt meals were designed for aristocratic patrons. Two paintings Hunt Breakfast and The Death of a Stag were commissioned as companions pieces by Louis XV and designed for his private dining room in Fontainebleau. Hunt Breakfast depicts the high spirits of...
Carle Andre Van Loo’s Halte de chasse (1737)

Carle Andre Van Loo’s Halte de chasse (1737)

As usual among the French, a halt on the hunt is never referred to as a picnic, although that’s what it is. Van Loo’s Halte de chasse is a narrative of a stop during the hunt, at which the ladies meet the hunters at a predetermined place, called a tryst,...