Carle Andre Van Loo’s Halte de chasse (1737)

Carle Andre Van Loo’s Halte de chasse (1737)

As usual among the French, a halt on the hunt is never referred to as a picnic, although that’s what it is. Van Loo’s Halte de chasse is a narrative of a stop during the hunt, at which the ladies meet the hunters at a predetermined place, called a tryst,...
Nicolas Lancret’s Picnic after the Hunt (1740c.)

Nicolas Lancret’s Picnic after the Hunt (1740c.)

Because the scene is obviously a picnic, the National Gallery of Art’s title, The Picnic after the Hunt, is apt. But Lancret would not have used pique-nique because the French denoted it as an indoor dinner. More likely, he would have titled un repas de chasse, as he...
Luis Egidio Meléndez’s La Merienda (1771c.)

Luis Egidio Meléndez’s La Merienda (1771c.)

Meléndez was a painter of food, perhaps obsessively so. La Merienda or The Afternoon Meal is among his many still life works there is food ready to be eaten but without any people about to do so. In this instance, it’s a picnic without picnickers though someone...
Francisco Goya’s Merienda a orillas del Manzanares (1776)

Francisco Goya’s Merienda a orillas del Manzanares (1776)

Merienda a orillas del Manzanares [Picnic At the Edge of the Manzanares River] is a painting for a tapestry intended for the dining room of the Prince and Princess of Asturias in the San Lorenzo Palace in Madrid. Goya described the subject as a merienda, a snack, or a...
Touchard-Lafosse’s Pique-Nique Manqué (1776c)

Touchard-Lafosse’s Pique-Nique Manqué (1776c)

Oeil-de-boeuf is Touchard-Lafosse’s pseudonym used to sign off on his gossip reports about Louis XIV’s court and Parisian society Oeil-de-boeuf is a circular window, often indoors, above a doorway. As a metaphor, it suggests gossip that is sexually tinged or...
A Merry Company on the Banks of the Rímac (1780c)

A Merry Company on the Banks of the Rímac (1780c)

Lima was a thriving major colonial town now grown into Chile’s capital and largest city with 10 million. Two centuries ago, an unidentified artist of the Lima School painted A Merry Company on the Banks of the Rímac, a happy picnic in which elegant aristocrats engaged...
A Merry Company on the Banks of the Rímac (1780c.)

A Merry Company on the Banks of the Rímac (1780c.)

Lima was a thriving major colonial town now grown into Chile’s capital and largest city with a population of 10 million. Two centuries ago, an unidentified artist of the Lima School painted A Merry Company on the Banks of the Rímac, a happy picnic in which elegant...
Francisco Bayeu y Subias’s Merienda en el Campo (1786)

Francisco Bayeu y Subias’s Merienda en el Campo (1786)

Bayeu’s Picnic in the Country [aka Merienda en el Campo] is a study of a proposed tapestry destined for the royal palaces of the Spanish monarchy now exhibited in the Prado’s Salon de Consejos. The picnickers have gathered around awhile cloth set on the...