Leonora Carrington’s Pastoral (1950)

Leonora Carrington’s Pastoral (1950)

As with many of Carrington’s surrealistic paintings, they are enigmas. Maybe they are snapshots of her inner life—a mix of personal relationships, dreams, alchemy, astrology, myth, and probably alcohol and drugs. You may find the compositions appealing dream-visions...
Elizabeth David’s A Book of Mediterranean Food (1950)

Elizabeth David’s A Book of Mediterranean Food (1950)

David’s favorite picnic food is tian. She asserts that it’s simple for the experienced cook, especially if you have a tian, the Provençal earthenware casserole it is cooked in. You also need freshly baked bread, butter, cheese, and wine. David’s...
Billy Wilder’s Love in the Afternoon (1952)

Billy Wilder’s Love in the Afternoon (1952)

Wilder added the picnic to Love in the Afternoon as a setting for comic action and romantic courtship. His sources for the film Paul Anet’s Ariene, juene file Russe (1920), and Paul Czinner’s film adaption The Loves of Ariene (1931) do not have picnics....
Edna Ferber’s Giant (1952)

Edna Ferber’s Giant (1952)

Giant is Ferber’s novel about how a Virginia belle, Leslie Lynton, learns to be a Texan. Among her lessons is what to eat during a Texas-style picnic at her husband Reata, her husband Bick Jordan’s ranch. At first, Leslie realizes what she is looking at is...
Edna Ferber’s Giant (1952)

George Steven’s Giant (1952)

Stevens’ barbacoa picnic in Giant is sure-fire-cinema. When Virginia-born-and-bred Leslie Lynnton attends her first Texas picnic, she faints. Barbacoa is an acquired taste at a picnic or elsewhere. It may be delicious, but it is not for the squeamish. Leslie...
Amy Vanderbilt’s Complete Book of Etiquette (1952)

Amy Vanderbilt’s Complete Book of Etiquette (1952)

Vanderbilt doesn’t care whether you cook out at a picnic or bring everything along. What does matter is to picnic in temperate weather and a style. Her recommendations in the Complete Book of Etiquette are tried and true cold fried chicken, little cold veal or...
L.P. Hartley’s The Go-Between (1953)

L.P. Hartley’s The Go-Between (1953)

Leo Colston’s memories of Brandham Hall fifty years earlier are an infinite source of trouble. Now about sixty-two, he is still trying to understand why. Sometimes Leo is called Mercury or the postman because he’s the go-between surreptitiously delivering...